Presented by Theatre on the Mainland (TOM), the play opens with Tuti’s father (Amuda Johnson), a lawyer, soliloquising and sauntering in his lounge. Tuti’s father recovers and blames the daughter for not letting him to die. While the argument lasts, Tuti’s father reveals a vow with God, which he has not been able to keep. Knowing that she is that woman the father loves so much, Tuti regrets hitting her father and blames the mother for being naïve. There should have been some music, especially allowing the duet — father and daughter — to dance as scripted.

Source: The Guardian February 03, 2019 03:45 UTC